Showing Records: 41 - 60 of 128
Imaginary Music / Johnson, Tom., 1978
This is the third printing of the book that was first published in 1974. Some of the scores have the appearance of concrete poetry except musical notes substitute for words. -- Source of annotation: Marvin or Ruth Sackner.
In Search of a Concrete Music / Schaeffer, Pierre ; Christine North, translator ; John Dack, translator., 2012
This is a translation from the French of the book published in 1952 nd purchased because one of the founders of concrete poetry, Oyvind Fahlstrom was influenced about it when writing his manifesto on concrete poetry. Concrete music deals with merging pre-existing sounds not produced by conventional musical instruments into a collage of new music. -- Source of annotation: Marvin or Ruth Sackner.
Irma: An Opera / Phillips, Tom., 2014
This is the complete score of Phillips' opera, "Irma." -- Source of annotation: Marvin or Ruth Sackner.
Irma / Phillips, Tom., 1985
This is the score for an Opera that was first published in 1969 as part of Revue Ou. It was then reprinted by Tetrad Press in 1972. This copy is a subsequent printing on better paper with slight touches of color, e.g., light yellow-brown background and greys in the images, printed circa 1985. The opera was first performed at the Ceolfrith Arts Association at the University of Newcastle in 1972. The work is made up entirely of fragments from A Human Document. The piece has been recorded on a 33 1/3 record and a compact disc and both these versions are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Irma / Phillips, Tom., 1972
This is the score for an Opera that was first published in 1969 as part of Revue Ou. It was then reprinted by Tetrad Press in 1972, the current copy. A subsequent printing on better paper with a touch of color, e.g., light yellow-brown background and greys in the image, was printed circa 1985. The opera was first performed at the Ceolfrith Arts Association at the University of Newcastle in 1972. The work is made up entirely of fragments from the book, A Human Document. The piece was recorded on a 33 1/3 record and a compact disc and both these versions are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Irma / Tom Phillips; RK Sackner; MA Sackner; J Tilbury., 1988
The booklet provides documentation of performances of this Opera as well as the libretto. The Sackners were mentioned as one of the project's supporters. -- Source of annotation: Marvin or Ruth Sackner.
Irma / Tom Phillips; RK Sackner; MA Sackner; J Tilbury., 1988
The booklet provides documentation of performances of this Opera as well as the libretto. The Sackners were mentioned as one of the project's supporters. -- Source of annotation: Marvin or Ruth Sackner.
Klavier / Christiansen, Henning., 1965
La Passion Selon Sade / Bussotti, Sylvano., 1966
This musical piece is an opera. -- Source of annotation: Marvin or Ruth Sackner.
Leonardo Music Journal / Menezes F., 1997
This issue includes a special section of conference papers from the seventh international symposium on electronic art. -- Source of annotation: Marvin or Ruth Sackner.
Life: Madrigal (Comentatios e Reducoes para Dois Pentagramas) / Correa de Oliveira, Willy ; Pignatari D., 1973
This experimental music score is based upon a concrete poem by Decio Pignatari. -- Source of annotation: Marvin or Ruth Sackner.
Life: Madrigal / Correa de Oliveira, Willy ; Pignatari, Decio., 1973
This experimental music score is based upon Pignatari's concrete poem, "Life." A copy of the latter with a single letter on a page is included in this book. -- Source of annotation: Marvin or Ruth Sackner.
mantrascore for john cage (070368) / Houedard, Dom Sylvester; Phillips T; Eno B; Tilbury J; Cage J., 1968
Houedard writes next to the title," really to be played on 4 foghorns - one each of 4 islands." Other instructions are for playing with variations of the letters cage and two long bars of notes also based on the name cage. -- Source of annotation: Marvin or Ruth Sackner.